5 Days!

Robin Hood first appeared in historical recordings as early as mid-1300s. Many refer to “Robin Hood and the Monk” (an originally untitled piece) as one of the first ballads of Robin Hood. It is 92 stanzas long, so I’ll just share the first two (read the full ballad here: https://d.lib.rochester.edu/teams/text/robin-hood-and-the-monk)…
                       
In somer, when the shawes be sheyne,
And leves be large and long,
Hit is full mery in feyre foreste
To here the foulys song,
To se the dere draw to the dale,
And leve the hilles hee,
And shadow hem in the leves grene,
Under the grene wode tre.


If your Robin Hood addiction (ahem… fascination) wants to learn more about the tales, ballads, and historical elements, here are some great websites to check out:

http://www.mythencyclopedia.com/Pr-Sa/Robin-Hood.html

6 Days!

How often do you actually see back covers? I mean, you don’t share back covers. You see the front covers. On Amazon. On Goodreads. Everywhere. But, coming from a cover designer, we put just as much focus into the back as the front. 
When I look at a book, sure, I love the front covers, but I also want to see the back. The entire cover. The aestheticism and continuity of the entire piece. I don’t know that I have ever shared just the back covers of my books. So here they are.

Excerpt | Blog Tour Stop at Drop in the Ocean

Who remembers Barat from “The Secret Slipper?” Well, he’s back in “Protecting the Poor” in full force and today I’m sharing an excerpt of the first scene between him and Dumphey. It begins…

“Ah, there you are, my good lad.” Barat’s tone belied his congenial words.


For the rest of the excerpt, hop over to Drop in the Ocean blog!




7 Days!

// EXCERPT //


Noel turned to his back and stared up at the darkness. He and Dumphey had lived in this room since before Mother passed—and she was a distant memory. Yet Noel could remember her stroking his head at nighttime when he was afraid in this small, dark room above the cooper’s shop. She had often placed her fingers under his chin and tilted his face up to look at hers, and together they would count up the blessings of this place.

“’Tis a roof over our head,” Noel whispered, “Shelter from the wind, protection from the snow, provision from God, a place to—”

8 Days!

One of the biggest lessons God taught me while writing “Protecting the Poor” is seasons (a lesson I’ve technically “learned” before, but needed a reminder). I had finally finished a full draft after several months’ of hard work… only to put it aside and dive into full-time college work for the first time (I’m considered a “non-traditional student” – aka, old 😉 ). In December, I did a brush-up edit (but wasn’t able to fully focus on writing, as I had two siblings get married in December and January), then had to push it aside again for my second semester of school. It wasn’t until May that I finally got to focus on writing. I am totally not used to letting a project rest, but for right now, in this season of life, it’s not a fully-focused writing season. It’s a season to focus on music (my major and job, as I teach). It wasn’t an easy pill to swallow, but it has been a beneficial lesson, realizing that God holds my time in His hands and that He knows exactly when this or that needs to be done. Surrendering my schedule to Him isn’t easy, but it’s needful. 
What lesson has God been teaching you lately?

9 Days!

What are your top tips for writing retellings? 

After writing three retellings, I definitely have my opinions on retellings. I won’t claim to have it mastered, but I have definitely learned some things. 

Tip One
Make sure it’s a retelling, not a rewrite. I have read some retellings where, if you compared it to the original, all they did was change the setting, era, and character names (and… maybe not even those). The conversations were almost verbatim. There wasn’t much originality to it. 

Tip Two
Give a unique twist. In light of the first tip, be sure that yours has a very youflavor. For instance, the unique twist for “Befriending the Beast” was that the beast was Belle’s father. Ironically, my twist for “Protecting the Poor” is that Dumphey has a disagreement with some of his team about stealing from the rich to feed the poor. Oh, and not to mention that none of my stories have magic in them. That in and of itself violates the backbone of most fairytales. 😉  

Tip Three
Make the retelling recognizable. This seems contrary to the first two points, but it’s just that fine line to balance. If you’re going to market it as a retelling, your readers need to actually be able to recognize the original. I read a story that I realized after the fact was a retelling—and then it was just because another reviewer mentioned the original tale (either I didn’t know the original fairytale well enough, or it just wasn’t strong enough to have that retelling flavor). 

Have you read some retellings that you absolutely loved? Why? Or did you hate it? If so, why?


An Early Review! | Blog Stop at Maidens for Modesty

One of my first reviews for “Protecting the Poor” is up!! For me as an author, I always have a bit of apprehension when a book is about to release. Did the readers glean the message I was striving to share? Did I just butcher something completely? Did enough of my Amanda-isms get edited out? (inside joke between me and Mom, my main editor)

And then I read a review like this one, and I almost want to cry. God is so good. The message was relayed and a valuable lesson seen clearly by the reader. Praise the Lord!!!

One thing I have always loved about Amanda’s books is that they are unapologetically Christian in nature, and this is no exception. The way biblical themes are woven into the very essence of the story is delightful, and watching the characters grow more like Christ throughout the story is precious! I loved how the characters each had their own individual struggle and sought to overcome it with the help of the Lord. The way that Dumphey and Noel and their friends learn truths about forgiveness, vengeance, and fear was beautifully shared!

Read her full review here.

10 Days!

Are you a pantser or planner? The Tales of Faith series is a testament to my very-pantsery-pantsering. In my teen years, Mom had me go through a writing course where I planned every detail of my book and it totally *killed* me. I felt restrained. Uncreative. I think that was when I really learned that I was a pantser (though I didn’t know what the term was until years later—and yes, I realize that I’m probably making up different tenses of pantser that might not exist). 
But, my pantsering has shifted over the years. I’ve found myself putting in way more thought into my *entire* story than when I first began. Now, I usually still don’t know exactly how the story ends, but I know at which point the story ends—what has to happen in order for it to end. And I’m getting to the point where I almost need to know that before I start writing my story. Who know? I might end up still being a planner one day (ha…).